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Vandana Alase Hazra responds to Sangram Mukhopadhyay
The actor-artist as a witness. Calcutta 2020
Two Hemispheres Halting In The Rann of Kachchh And Jason Allin, The ‘Chaplin Guy’
‘Buy one, get one Free’: Female Bodies in Bollywood
‘Because We Belong To The Land’
A Poet’s Experiment in Rebuilding Samaj and Nation
‘Buy one, get one Free’: Female Bodies in Bollywood
Dr Ganesh Devy explains the prejudicial nature of CAA and the resurgence of youth leadership
Constructing an Indian Aesthetic Theory of Cinema
Depiction of rain in the Rajput Miniature tradition
Agony Embodied
The Museum in Perspective (Part II)
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Home
Categories
Performing Arts
Society & Community
Visual Arts
Vandana Alase Hazra responds to Sangram Mukhopadhyay
The actor-artist as a witness. Calcutta 2020
Two Hemispheres Halting In The Rann of Kachchh And Jason Allin, The ‘Chaplin Guy’
‘Buy one, get one Free’: Female Bodies in Bollywood
‘Because We Belong To The Land’
A Poet’s Experiment in Rebuilding Samaj and Nation
‘Buy one, get one Free’: Female Bodies in Bollywood
Dr Ganesh Devy explains the prejudicial nature of CAA and the resurgence of youth leadership
Constructing an Indian Aesthetic Theory of Cinema
Depiction of rain in the Rajput Miniature tradition
Agony Embodied
The Museum in Perspective (Part II)
Lead
Reviews
Experts Respond
Ready to Articulate?
Store
Articulate Mentoring Program (AMP)
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Post Slider – Style 2
Conversation on ‘Acrobat: Poems by Nabaneeta Dev Sen’
The Museum in Perspective (Part II)
Morandi’s ‘natures mortes’
Constructing an Indian Aesthetic Theory of Cinema
Depiction of rain in the Rajput Miniature tradition
Art and Activism
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