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    Vandana Alase Hazra responds to Sangram Mukhopadhyay
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    Two Hemispheres Halting In The Rann of Kachchh And Jason Allin, The ‘Chaplin Guy’
    ‘Buy one, get one Free’: Female Bodies in Bollywood
    ‘Because We Belong To The Land’
    A Poet’s Experiment in Rebuilding Samaj and Nation
    ‘Buy one, get one Free’: Female Bodies in Bollywood
    Dr Ganesh Devy explains the prejudicial nature of CAA and the resurgence of youth leadership
    Constructing an Indian Aesthetic Theory of Cinema
    Depiction of rain in the Rajput Miniature tradition
    Agony Embodied
    The Museum in Perspective (Part II)
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  • Home
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    Vandana Alase Hazra responds to Sangram Mukhopadhyay
    The actor-artist as a witness. Calcutta 2020
    Two Hemispheres Halting In The Rann of Kachchh And Jason Allin, The ‘Chaplin Guy’
    ‘Buy one, get one Free’: Female Bodies in Bollywood
    ‘Because We Belong To The Land’
    A Poet’s Experiment in Rebuilding Samaj and Nation
    ‘Buy one, get one Free’: Female Bodies in Bollywood
    Dr Ganesh Devy explains the prejudicial nature of CAA and the resurgence of youth leadership
    Constructing an Indian Aesthetic Theory of Cinema
    Depiction of rain in the Rajput Miniature tradition
    Agony Embodied
    The Museum in Perspective (Part II)
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Post Slider – Style 2

Lead

Conversation on ‘Acrobat: Poems by Nabaneeta Dev Sen’

by Shambhobi Ghosh
  • March 13, 2022
  • 6 mins Read
Lead, Visual Arts

The Museum in Perspective (Part II)

by Sunanda K. Sanyal
  • March 13, 2022
  • 9 mins Read
Excerpts

Morandi’s ‘natures mortes’

by Philippe Jaccottet
  • March 12, 2022
  • 6 mins Read
Lead, Visual Arts

Constructing an Indian Aesthetic Theory of Cinema

by Gopalan Mullik
  • June 24, 2022
  • 19 mins Read
Lead, Visual Arts

Depiction of rain in the Rajput Miniature tradition

by Mariyam Begum
  • June 17, 2022
  • 14 mins Read
Vasudhaiva Kutumbakam

Art and Activism

by Andras Szanto
  • May 15, 2022
  • 8 mins Read
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