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A Waacking Display of Form and Energy
A Translucent Journey through Illusion: Adrishyo Nagordolar Trip
AMI Theke Amra – An interview
Another META Eminent: Swati Dubey Dazzles, Even If For A Bit Too Long
Children’s Literature – Sense & Nonsense
Culture and Race
Role of Creators in Society
‘Because We Belong To The Land’
Contemporary Indian Art at Auction
Janamsakhis and Sikh Art
In Our Veins Flow Art and Water: Kochi-Muziris Biennale 22-23
Motifs of Alpana
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Home
Categories
Performing Arts
Society & Community
Visual Arts
A Waacking Display of Form and Energy
A Translucent Journey through Illusion: Adrishyo Nagordolar Trip
AMI Theke Amra – An interview
Another META Eminent: Swati Dubey Dazzles, Even If For A Bit Too Long
Children’s Literature – Sense & Nonsense
Culture and Race
Role of Creators in Society
‘Because We Belong To The Land’
Contemporary Indian Art at Auction
Janamsakhis and Sikh Art
In Our Veins Flow Art and Water: Kochi-Muziris Biennale 22-23
Motifs of Alpana
Lead
Reviews
Experts Respond
Ready to Articulate?
Culture Calendar
Queer Future/s
0
Post Grid – Style 2
Conversation on ‘Acrobat: Poems by Nabaneeta Dev Sen’
The Museum in Perspective (Part II)
Morandi’s ‘natures mortes’
Nocturnal Lament
Contemporary Indian Art at Auction
Hand to Mouth: Pushpamala N’s (In)edible Nationalisms and Corporeal Performance – An Excerpt
Homeward: Towards a Poetics of Space
Learn Togetherness III at KCC: Celebrating Pride Month
Asgiriya, 10/51: The Unreliable Authenticity of Shehan Karunatilaka’s ‘Chinaman: The Legend of Pradeep Mathew’
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