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A Waacking Display of Form and Energy
A Translucent Journey through Illusion: Adrishyo Nagordolar Trip
AMI Theke Amra – An interview
Another META Eminent: Swati Dubey Dazzles, Even If For A Bit Too Long
Children’s Literature – Sense & Nonsense
Culture and Race
Role of Creators in Society
‘Because We Belong To The Land’
Janamsakhis and Sikh Art
In Our Veins Flow Art and Water: Kochi-Muziris Biennale 22-23
Motifs of Alpana
The Voice of the Land – An Artist’s Commentary
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Home
Categories
Performing Arts
Society & Community
Visual Arts
A Waacking Display of Form and Energy
A Translucent Journey through Illusion: Adrishyo Nagordolar Trip
AMI Theke Amra – An interview
Another META Eminent: Swati Dubey Dazzles, Even If For A Bit Too Long
Children’s Literature – Sense & Nonsense
Culture and Race
Role of Creators in Society
‘Because We Belong To The Land’
Janamsakhis and Sikh Art
In Our Veins Flow Art and Water: Kochi-Muziris Biennale 22-23
Motifs of Alpana
The Voice of the Land – An Artist’s Commentary
Lead
Reviews
Experts Respond
Ready to Articulate?
Culture Calendar
Queer Future/s
0
Lead
Of Pirates, Feminism, and Democracy: Shahidul Alam, Singed but not Burnt
On Turtles’ Backs: Paitkar Painting of Jharkhand
‘Borda Borda’ and the Theatre of Bengal: Goutam Halder’s interview at AMI Arts Festival 2022
An interview with Aditya Arya of Museo Camera at AMI Arts Festival 2022
Living A Dark Night… In Continuum
Freedom and Awakening
Art as Encounter: Historicising Feminist Interventions within the Indian Avant-Garde
On Rabindra Sangeet and Right Parenting: An Interview with Iman Chakraborty at AMI Arts Festival 2022
‘Naatu Naatu’: How RRR rocked the World Stage, and What’s Next for Indian Cinema
To De-Exist In Chirality – How Art Resides in Poetry through the works of Dom Moraes and Zarina Hashmi
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