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On Rabindra Sangeet and Right Parenting: An Interview with Iman Chakraborty at AMI Arts Festival 2022
‘Naatu Naatu’: How RRR rocked the World Stage, and What’s Next for Indian Cinema
An Urgent, Critical, Political Exploration – ‘Dekh Behen’
A Review of Ashokenagar Natyaanan’s ‘Dilli Chalo’
‘Because We Belong To The Land’
A Poet’s Experiment in Rebuilding Samaj and Nation
‘Buy one, get one Free’: Female Bodies in Bollywood
Dr Ganesh Devy explains the prejudicial nature of CAA and the resurgence of youth leadership
Severed Head Capable of Sin?
Freedom and Awakening
Art as Encounter: Historicising Feminist Interventions within the Indian Avant-Garde
To De-Exist In Chirality – How Art Resides in Poetry through the works of Dom Moraes and Zarina Hashmi
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Home
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Performing Arts
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On Rabindra Sangeet and Right Parenting: An Interview with Iman Chakraborty at AMI Arts Festival 2022
‘Naatu Naatu’: How RRR rocked the World Stage, and What’s Next for Indian Cinema
An Urgent, Critical, Political Exploration – ‘Dekh Behen’
A Review of Ashokenagar Natyaanan’s ‘Dilli Chalo’
‘Because We Belong To The Land’
A Poet’s Experiment in Rebuilding Samaj and Nation
‘Buy one, get one Free’: Female Bodies in Bollywood
Dr Ganesh Devy explains the prejudicial nature of CAA and the resurgence of youth leadership
Severed Head Capable of Sin?
Freedom and Awakening
Art as Encounter: Historicising Feminist Interventions within the Indian Avant-Garde
To De-Exist In Chirality – How Art Resides in Poetry through the works of Dom Moraes and Zarina Hashmi
Lead
Reviews
Experts Respond
Ready to Articulate?
Store
Articulate Mentoring Program (AMP)
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Excerpts
Severed Head Capable of Sin?
The Indian Eye
Morandi’s ‘natures mortes’
‘Because We Belong To The Land’
‘The Icon and Death’
Rome, 1630: The Horizon of the Early Baroque
A Poet’s Experiment in Rebuilding Samaj and Nation
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Severed Head Capable of Sin?
Freedom and Awakening
Art as Encounter: Historicising Feminist Interventions within the Indian Avant-Garde
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